2009

As I advocate for a U.S. policy towards the region based on justice and human rights, I’ve had easier years during the Bush Administration. For an administration that promised hope and change, both are in short supply.

Director of The 800 Mile Wall, John Carlos Frey, is asking all the right questions of our U.S.-Mexico border.

"Do we need to spend billions of dollars on fencing and technology? Does it work? Should the thousands of migrant lives lost on U.S. soil be recognized and taken into account? Should we do anything about the deaths? Is there a solution?"

If you're wondering when the opportunity will arise to demand that our legislators begin asking these questions, the time is now!

Between the 20th anniversary of the fall of the Berlin Wall and the Borderlands RAVE photo exhibit in the Senate, the border wall has loomed large in the minds of many this November.

As a final reflection for the month, Leslie Berestein of the San Diego Union-Tribune has called attention to another function of the fence: a place for artistic expression.

Elections took place Sunday, November 29th in Honduras with National Party leader Porfirio Lobo declared the winner.

But elections carried out under a state of emergency, with visible military and police presence, by a government installed by coup, with a significant movement opposed to the coup calling for abstention, and with the deposed President still holed up in the center of the capital city in the Brazilian Embassy, are no cause for celebration. As we wrote to the State Department on November 24th, “a cloud of intimidation and restrictions on assembly and free speech affect the climate in which these elections take place… basic conditions do not exist for free, fair and transparent elections in Honduras.”