2010

As an official “Truth Commission” was inaugurated May 4th in Tegucigalpa, Honduras, leading Honduran human rights groups expressed serious concerns and announced an alternative commission.

Saying that a real truth commission “should provide a space which has been denied to the victims, in which they can be heard and injury to their rights repaired,” the groups criticized the official commission for “exclusion of the victims” and the “lack of processes to ensure effectiveness and impartiality.”

The early months of 2010 have been a roller-coaster of anticipation and tension within the immigration debate. Expectations were running high in March when a Senators Schumer and Graham released a framework for reform days before crowds of over 200,000–unified in their chants of “immigration reform now” – gathered blocks from the capitol.

Weeks later, a heat wave of anger erupted when Arizona Governor Jan Brewer signed SB1070, a draconian and dangerous legislation that has sparked both swift and widespread responses.

“Each of us represents a force that has a great capacity to create.” These words rang out on the colorful and majestic voice of Honduran activist and musician Karla Lara during an empowering concert at Busboys and Poets in Washington, DC on April 23rd, where she taught us about the values that are central to the movement of peaceful, civic resistance that has been ongoing since the June 2009 coup. Lara, who for years has been making music that inspires people to be a part of constructing a better reality in places across Central America, now is a leader of the feminists-in-resistance and artists-in-resistance who are a part of the struggle for human rights, justice, and democracy going on in her own country.