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Documentary Makes Debut in D.C: Come Meet the Director!

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Soon after its world premier at the Sundance Film Festival this past January, multiple awards began recognizing Crude as one the most poignant documentaries hitting theaters this year. For all of you deeply concerned about human rights violations, the displacement and destruction of indigenous cultures, increased environmental degradation, or irresponsible development by multinational corporations, Crude is being recognized as an artistic masterpiece that tells the story of the “Amazon Chernobyl” case in which all these areas of concern intertwine. The final result is the creation of a powerful message for increasing awareness among individuals of how the gas they pump has tangible effects on individuals in other parts of our world.

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Hurricane Experts from United States and Cuba to Meet in New Orleans

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An invitation from Wayne Smith, Former Chief of the U.S. Interests Section in Havana and Senior Fellow and Director of the Cuba Program at the Center for International Policy

This conference in New Orleans on disaster preparedness seems to open a new and critical door for bilateral exchange.

Cuba and the U.S. Gulf Coast are both in the path of hurricanes, which are striking with increasing frequency and ferocity.  It is therefore of marked importance that they cooperate with one another against these onslaughts, exchanging information and providing assistance to one another as needed.  The Cubans have indicated their full willingness to do so.  It is fitting that Cubans and Americans gather in New Orleans, the American city that was most damaged by and had the highest losses in lives from Hurricane Katrina, to discuss how this cooperation can best be achieved. 

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Ballet Diplomacy

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The Washington Ballet debuted a fantastic production of Don Quixote at the Kennedy Center for the Performing Arts this week.  The highlight was an awe inspiring performance by Viengsay Valdés, the Primera Bailarina of the Ballet Nacionál de Cuba. Ms. Valdés, a product of Cuba’s world renowned ballet schools, played the lead role of Kitri in a spectacular rendition of Cervantes’ classic Spanish novel.  Many in the crowd didn’t even know about the special guest, who tip-toed into DC almost unnoticed.  But the audience adored the Cuban ballerina and interrupted the show frequently with extended applause.  And out came Cuban flags with the endless standing ovation for such a rare and delightful performance.

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Honduras: Violations, Lobbying Continue

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Despite the Micheletti government’s announced intention following international and national pressure to lift the state of siege, the notice has not yet been published in the official gazette, and rights violations continue.  The de facto government issued a new decree allowing the government’s telecommunications agency to revoke licenses for radio and television stations that transmit messages that promote “social anarchy,” ensuring that censorship can continue.  Police continued excessive use of force against protestors, and some protestors remain in detention. Meanwhile, hopes for dialogue increased as the Organization of American States negotiators arrived, but no end to the crisis is yet in sight.

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Gracias a la Vida

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After a long life, touching millions of people with her powerful voice and commitment to social justice, Argentine folksinger Mercedes Sosa passed away on Sunday, October 4th, 2009. Sosa set an incredible example of how music can change the world.

Her deep, rich voice and emotionally charged performances became the rallying cry for a generation of Latin Americans oppressed by dictatorships. In a time of terror, she chose to be “the voice for the voiceless ones” and sing words that were forbidden. In her more than fifty-year career, she pioneered a new movement in music, which buried itself deep into the soul of every listener, as personal as it was political.

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