Blog

Just a a few steps south of the U.S.-Mexico border, President Calderón unveiled a towering billboard last week wielding a message written in plain English: “No More Weapons!” Weighing over 3 tons, the billboard itself is made of seized firearms that have been chopped, melted and welded together.  Visible from the United States, the call is clear: halt the southbound flow of guns that fuel violence in Mexico. 

Back in October I was lucky enough to see Sonia Pierre, a longtime activist for Dominicans of Haitian descent, speak at what would be one of her last public events before her death the following month. Like the people she spent her life defending, Sonia was born on a batey to Haitian parents who migrated to the Dominican Republic in search of better jobs. Bateys are Dominican sugar plantations where Haitian migrant workers and their offspring face appalling working conditions and live in poverty, marginalized from the rest of Dominican society.

I was not prepared when I opened Underground America: Narratives of Undocumented Lives. One moment I was sitting at my desk, and the next I was with Roberto, an undocumented immigrant from Mexico. I followed him as he moved from one underpaying, exhausting job to the next; working even harder once he had his own family. I was by his side when he received amnesty, but his family didn’t. They voluntarily left the country while he stayed behind to continue working to support them. Here Roberto recounts his own experiences, providing me a glimpse into his struggles and feelings of profound loneliness and loss.

Taking advantage of President Obama’s liberalized regulations that have re-established people-to-people licensed travel to Cuba, members of LAWG staff partnered with Witness for Peace and led a delegation of 25 people to study and learn about the art and culture of Cuba. Our delegation met with artists such as Sandra Ramos, Kadir and Kelvin Lopez, saw performances by students in one of Havana’s many schools for the arts, visited Ernest Hemingway’s home, witnessed the magic of the Cuba National Ballet, participated in folkloric dance led by a community group “Okantomi,” dialogued with members of the Cuban National Assembly, Ministry of Foreign Relations, Ministry of Tourism, Union of Artists and Writers, and the United States Interests Section in Havana.