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It was a beautiful day in Bogotá, Colombia. It had not rained at all and the sun was shining with no clouds. Taking in the beautiful sunshine and enjoying the chilly yet comfortable temperature, my colleagues and I sat in a beautiful park in downtown Bogotá and discussed our upcoming meeting with ASOTRECOL, the Association of Injured and Ex-Workers of GM Colmotores de Colombia. After a brief intro into their labor plight and subsequent firings, we hailed taxis and made our way to the U.S. Embassy.

As part of their Documentaries with a Point of View (POV) program, PBS will be broadcasting Sin País nationally on August 9, 2012.

Sin País (Without Country) attempts to get beyond the partisan politics and mainstream media’s ‘talking point’ approach to immigration issues by exploring one family’s complex and emotional journey involving deportation.

"The war on drugs in Mexico, Honduras, and Guatemala has become a war on women," say Nobel Peace Laureates Jody Williams and Rigoberta Menchú. Women in these countries are at an increased risk of gender-based violence, including murder, rape, forced disappearances, and arbitrary detention. Violence is on the rise in all three countries, due to many factors, including the war on drugs. The vast majority of violent crimes are not investigated or prosecuted in these countries, which has created an atmosphere of impunity for the perpetrators. More than 95 percent of crimes against women in Mexico, Honduras, and Guatemala go unpunished. This lack of justice discourages victims from reporting crimes when doing so is unlikely to result in convictions. In addition, victims may be targeted if they attempt to bring charges or to call attention to the problem. In particular, women human rights defenders, journalists, indigenous activists or women who are otherwise advocating for change in their communities are targeted.

On July 10th in Washington DC, Reverend Francisco Marrero, the General Secretary of the Presbyterian Reformed Church in Cuba (PRCC), discussed the role of the PRCC in Cuba. In celebration of the 45th anniversary in which the PRCC became autonomous from the New Jersey Senate of the Presbyterian Church, Marrero shared the strides the PRCC had made as well as the challenges the church still faces in light of its strong and active presence within Cuba's ecumenical community.

Estamos hasta la madre -- it means, “we’ve had enough.”

Last year, Javier Sicilia experienced a parent’s worst nightmare: his 24-year-old son, Juan Francisco, was murdered in Mexico’s deadly “drug war,” one of 60,000 men, women and children to fall victim to brutal violence in the past six years.

In old city Cartagena, Colombia, elegant colonial buildings with verandas and wooden shutters contain trendy restaurants, a Benetton store and expensive shoe shops.  But the Afro-Colombians selling strands of pearls on the sidewalks, who add  life to this tropical tourist haven,  may have come from Urabá, Carmen de Bolivar, Marίa la Baja or other areas where threats and clashes between all the armed actors, paramilitaries, guerrillas and the armed forces forced them to flee the violence.

These days, current United States policy towards Cuba seems to be maneuvered by a strong backbone called Florida, who appears to be standing a little taller. With recent news of stiffer laws that Florida state legislators have backed to their 90.5-mile away neighbor, could the state of Florida be overstretching its rights and treading upon the federal government by creating its own foreign policy?

Granito: How to Nail a Dictator will be nationally broadcasted on June 28, 2012 by PBS as part of the Documentaries with a Point of View (POV) program.

In a stunning milestone for justice in Central America, a Guatemalan court recently charged former dictator Efrain Rios Montt with genocide for his brutal war against the country's Mayan people in the 1980s -- and Pamela Yates' 1983 documentary, When the Mountains Tremble, provided key evidence for bringing the indictment. Granito: How to Nail a Dictator tells the extraordinary story of how a film, aiding a new generation of human rights activists, became a granito -- a tiny grain of sand -- that helped tip the scales of justice.