Elections took place Sunday, November 29th in Honduras with National Party leader Porfirio Lobo declared the winner.
But
elections carried out under a state of emergency, with visible military
and police presence, by a government installed by coup, with a
significant movement opposed to the coup calling for abstention, and
with the deposed President still holed up in the center of the capital
city in the Brazilian Embassy, are no cause for celebration. As we wrote to the State Department
on November 24th, “a cloud of intimidation and restrictions on assembly
and free speech affect the climate in which these elections take place…
basic conditions do not exist for free, fair and transparent elections
in Honduras.”
“Vote? Me? No way? For what?” said the young man, almost spitting out the words. “What is there to vote for in this election?”
All over Honduras, youth “in resistance,” women in resistance, artists
in resistance, lawyers in resistance, well-dressed and blackberried
political party leaders in resistance, campesinos in resistance, are
saying no to these November 29th elections. While the word
“resistance” may conjure up images of masked guerrillas, this image is
totally misleading. As I could see in a trip this week to Tegucigalpa,
it is, so far, in general an extraordinarily peaceful, civic
resistance.
The international community initially celebrated an agreement
negotiated in Honduras, on October 28th, between coup regime leader
Roberto Micheletti and deposed President Manuel Zelaya, which could
have put an end to the crisis. But, less than a week later, the accord
started crumbling apart.
On November 5th, 2009, Rep. Raul Grijalva (D-AZ) sponsored a briefing of
civil society leaders and activists on Capitol Hill to talk about the
human rights violations that have been occurring in Honduras since the
coup and give their vision for the future. The leaders’ visits were
coordinated by the Quixote Center and Just Associates, and LAWGEF
pitched in to help. The following quotes were taken from that briefing.
After months of a virtual standstill in Honduras between democratically elected President Manuel Zelaya and regime leader Roberto Micheletti, we might be seeing the end of what one writer called, “The Little Coup That Couldn’t.” On October 29th, Honduras’ defacto leader Roberto Micheletti agreed to step down, allowing the Honduran Congress to decide whether President Zelaya would be returned to power. But, the fate of democracy in Honduras still remains to be seen.
On October 23rd, Crude made its debut in D.C. at the Landmark E Street Cinema. Crude, a documentary about the $27 billion dollar “Amazon Chernobyl” case, is making similar debuts across the nation in 2009. Here in Washington, viewers piled into the theater, even at the10:15 PM showing, only to be greeted by director Joe Berlinger whoopened the film stating, “I don’t want to say enjoy the film, because it’s not enjoyable. I hope that it’s provocative so that we can talk about it.” And talk about it we did.
“If that kind of barbarity can be directed against the highest-ranking
person in the country, what will happen to the rest of us?” asked the
activists at COFADEH, the Committee of Families of Detained and
Disappeared in Honduras, right after the June 28th coup that sent
President Manuel Zelaya into exile. Now the answer to that question
can be seen in COFADEH’s hard-hitting October 22nd report, “Statistics
and Faces of Repression.”
LAWG celebrates—and I personally celebrate—that yesterday the
U.S. House of Representatives approved H.Res. 761, introduced by Rep. Jim
McGovern and 33 co-sponsors. This resolution remembers and
commemorates the lives and work of the six Jesuit priests and two women
who were murdered in El Salvador nearly twenty years ago, on November
16, 1989.
Soon after its world premier at the Sundance Film Festival this past January, multiple awards began recognizing Crude
as one the most poignant documentaries hitting theaters this year. For
all of you deeply concerned about human rights violations, the
displacement and destruction of indigenous cultures, increased
environmental degradation, or irresponsible development by
multinational corporations, Crude is being recognized as an
artistic masterpiece that tells the story of the “Amazon Chernobyl” case
in which all these areas of concern intertwine. The final result is the
creation of a powerful message for increasing awareness among
individuals of how the gas they pump has tangible effects on
individuals in other parts of our world.
Despite the Micheletti government’s announced intention following
international and national pressure to lift the state of siege, the
notice has not yet been published in the official gazette, and rights
violations continue. The de facto government issued a new decree
allowing the government’s telecommunications agency to revoke licenses
for radio and television stations that transmit messages that promote
“social anarchy,” ensuring that censorship can continue. Police
continued excessive use of force against protestors, and some
protestors remain in detention. Meanwhile, hopes for dialogue increased
as the Organization of American States negotiators arrived, but no end
to the crisis is yet in sight.
After a long life, touching millions of people with her powerful voice
and commitment to social justice, Argentine folksinger Mercedes Sosa
passed away on Sunday, October 4th, 2009. Sosa set an incredible
example of how music can change the world.
Her deep, rich voice and emotionally charged performances became the
rallying cry for a generation of Latin Americans oppressed by
dictatorships. In a time of terror, she chose to be “the voice for the
voiceless ones” and sing words that were forbidden. In her more than
fifty-year career, she pioneered a new movement in music, which buried
itself deep into the soul of every listener, as personal as it was
political.
